When Christine Rowan gave birth prematurely in August, her new baby was having problems breathing. So Rowan brought her daughter, Zoe, to the Children's National Medical Center in Washington, D.C., for genetic testing.
"It's funny because when we first had the testing done, we didn't even really think about the fact the testing was going to lay out all of her DNA," says Rowan, 32, who lives in Northern Virginia.
But while Rowan and her husband were waiting for the results, questions started popping into their heads.
The director of NASA's Jet Propulsion Laboratory said last week that preliminary data showed the possibility that the agency's Mars Science Laboratory – the six-wheeled rover that landed on Mars in August — had found signs of carbon-containing molecules.
Gary Ross has penned and directed some big Hollywood hits like Big, Pleasantville and The Hunger Games. But for the past 15 years, his obsession has been something much more personal: a Dr. Seuss-ian children's book called Bartholomew Biddle and the Very Big Wind.
It started when Ross got a call in 1996 from fellow screenwriter David Koepp. Koepp was up against a tight budget and approaching deadline with his debut directorial effort, The Trigger Effect. Its heroine had to read an as-yet-unwritten bedtime story to her child.
Over three decades, Ian MacKaye has tested a few possibilities of what punk can mean. His first band to make a national impact, Minor Threat, was a clear outgrowth of the hardcore scene in his native Washington, D.C. His second act, Fugazi, was subtler: four musicians, all songwriters, infusing punk's energy with rhythms pulled from funk, reggae and even classic rock.